⋙ PDF Free Rhode Island Blues Fay Weldon 9780802138736 Books

Rhode Island Blues Fay Weldon 9780802138736 Books

Download As PDF : Rhode Island Blues Fay Weldon 9780802138736 Books

Rhode Island Blues Fay Weldon 9780802138736 Books

Fay Weldon never disappoints with her rare insights that skewer society. But this book just goes on too long. Too long. The characters can't hold up their end near the end. They just kind of peter out -- and so does the reader. I was skimming just to give us all a decent exit. Even Weldon can't remain snarky when she hits The Wall. This book hits The Wall about three-quarters of the way in. The reader just doesn't want to keep running.


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Rhode Island Blues Fay Weldon 9780802138736 Books Reviews

I don't want to say anything particular about the book, only that it was virtually perfect. Fay Weldon understands human emotions and faults. She expresses all of the thoughts and feelings people carry around all bottled up inside, and she does so with great conviction and humor. Just read the book.
It would be all too easy to assume from the title of Weldon's latest novel that it is a depressing read. However, I doubt that Weldon could ever seriously be mournful, especially not when you have both nurses and desire inextricably linked, as you have here. There's just a brief mention of Blues hero Stephane Grapelli, but that's just about how far the relevance goes. However, if you do know who Grapelli is, then you may well be of Felicity's generation in this novel. The title's also an oblique reference to Rhode Island Reds, a particularly fancied breed of chicken at the moment. Apparently, these poultry are extremely easy to rear. It's just Felicity's luck however, that she marries an American GI who hasn't a clue about how to run his own farm. She's even more unfortunate in that she believed his tales of a plantation mansion. Fifty years later, the funeral of her son-in-law from this marriage leads to a quite unexpected flirtation with romance.
Admittedly, parts of Felicity's life story are quite grim. Sophia, her only living relative, works in London as a film editor, whilst Felicity herself abides in Connecticut. Felicity has had a minor stroke, and is coming to terms with the reality of her advancing years. Sophia loves her grandmother - it's just that she feels far more comfortable when the Atlantic Ocean is in between them. Her busy life as a film editor means that she cannot just drop everything and be by her grandmother's bedside in Connecticut. Weldon is very perceptive in relating how much guilt can taint love, and how uncomfortable the young can be beside the old.
Sophia, and Charlie the chauffeur, tend to view the world from the perspective of the movies. When Sophia visits an aged relative Weldon notes that this old lady tends to use references from the fairy books of her youth in her conversation. Maybe what Weldon is saying here is that the motion picture is now the dominant form of fiction. Unfortunately, it really grinds my teeth to come across yet another character in an English novel this year that works in the Soho media world. If future readers ever come back to these novels, like Toby Litt's 'Corpsing', and Amy Jenkins' dire 'Honeymoon', they might think that everyone in England was working in film. The only writer who has a credible excuse for writing about Soho is Christopher Fowler who actually works there. The impression I get is that most young English novelists would really much rather prefer writing for the movies, and I can't help but think that this is very sad.
Sophia mentions many films in her narrative, whilst neglecting to mention the most obvious one 'Harvey'. Okay, so The Golden Bowl is an old peoples' home, but it does stand comparison with the mental institution in Jimmy Stewart's movie. Okay, so you don't get to see the invisible rabbit in 'Rhode Island Blues' either - it's the interaction between the characters and the structure that seems quite similar. You don't see the whole of this story from Sophia's viewpoint, since Weldon chooses to flit between the main characters at times. It's quite a jolt to suddenly see the world from Nurse Dawn's perspective, who seems to be such a minor character otherwise. But then 'Harvey' also strayed from Jimmy Stewart's suspect vision, into other smaller narratives, such as the nurse's romance with the doctor. Although, this being Weldon, the Doctor/Nurse relationship here is far more risqué.
Feliticty's mental health comes into question when she starts seeing a gambling toy boy, and when the staff at The Golden Bowl discover what we've known all along - namely that her Utrillo painting is not a print. With insurance being such a premium in the litigatory States, moves are made to ensure the safe removal of the Utrillo from the Golden Bowl's walls (James Stewart's mental state in 'Harvey' was also brought into question due to a suspect portrait). Unfortunately, Felicity has also let slip to Sophia that she may have more family in England. Sophia, all alone apart from a temporary fling with a film director of Kubrick's stature, can't help but investigate her roots. She finds a couple of quite dull cousins who eventually let her enter their lives. Felicity impulsively decides to remarry at the tender age of 83. Sophia's cousins just as impulsively decide to check out their newly found grandmother, and petulantly join Sophia on her trip to the States. The question on everyone's minds seems to be this is such an old woman capable of looking after a valuable Utrillo?
Ironically, Utrillo spent much of his own life in and out of institutions, with painting his only therapy. From this point of view, it's very fitting that his work should end up on the walls of an institution like The Golden Bowl. Sophia recognises the name of the old peoples' home as deriving from a passage in Ecclesiastes. No doubt it is also a reference to the novel of the same name - that also featured a suspected gold digger. What this novel seems to be about broadly, is the clash between the new and the old the disparities between British and American culture, the contrast between the generations, and old and new forms of fiction. Several novels this year have discussed a problem which currently troubles Western culture what to do with an ever aging population, from Will Self's vulgar 'How the Dead Live', to Barbara Kingsolver's life-affirming 'Prodigal Summer'. Weldon comes somewhere in between the two extremes. There is something quite merciless about some of her observations, mostly concerning the immigrant Charlie and his ever-increasing family. But most chilling and timely of all is Sophia's disquieting journey on Concorde. However, Weldon provides us with a mixed dish here; not all of her prognosis is quite as gloomy as this. The blues are there, but playing quietly in the background with the reds.
I hadn't read Fay Weldon in several years when I picked up Rhode Island Blues. The plot kept my interest but frankly I didn't want to spend as much time with the characters as it took to follow their progress through life. I felt slightly edgy nearly always while reading the book and perhaps this is a positive testimony to Weldon's character development but not one I found enjoyable. That said, I did want to know what happened next but only in a vaguely curious not really engaged way. I regret that Weldon hasn't stood the test of time for me.
This is Fay Weldon writing at her cynical best. She has always punctured the pretensions of "institutions " and gives us a bitingly funny look at the way the rich elderly are battened on by unscrupulous rest home administrators. Thank goodness for 80 year olds with enough spunk to buck the system!
I never thought I would not like a Fay Weldon book, but this one lost me halfway. It starts out so well, so interesting, but Weldon, a scarily intelligent writer, let her protagonist become too deeply entangled in her study of lost and found relatives. It became too tedious to plow through -- I just could not summon up enough curiosity to plow through Weldon's detailed, literary prose. Oh, it's extremely well written she knows how to conjure up amazing characterizations.

But sorry, Fay, I barely read halfway through Rhode Island Blues when I decided to leave the characters to whatever fates might befall them.
One Flew Over the Cuckoo's Nest with a female lead and in an assisted living facility.
I enjoyed this book. Approaches a subject often explored (dating and romance amongst seniors) in a realistic way and with comedy.
Fay Weldon never disappoints with her rare insights that skewer society. But this book just goes on too long. Too long. The characters can't hold up their end near the end. They just kind of peter out -- and so does the reader. I was skimming just to give us all a decent exit. Even Weldon can't remain snarky when she hits The Wall. This book hits The Wall about three-quarters of the way in. The reader just doesn't want to keep running.